NZ House and Garden / New Members / Login

















People & Pleasures
A Good Old Yarn go to A Good Old Yarn
Down to Earth go to Down to Earth
Sampling History go to Sampling History
Art of Illusion go to Art of Illusion
Saving grace go to Saving grace
A doll house life go to A doll house life
Gems from the heart go to Gems from the heart
Look sharp go to Look sharp
Filigree fingers go to Filigree fingers
Getting the nod go to Getting the nod
Sew glamorous go to Sew glamorous
One good turn go to One good turn
Everyday art go to Everyday art
All that sparkles go to All that sparkles
Down to earth go to Down to earth
Earth and fire go to Earth and fire
Collecting for Christmas go to Collecting for Christmas
One out of the box go to One out of the box
Leap of faith go to Leap of faith
Picture this 
Needle pointe go to Needle pointe
Taking up the clay go to Taking up the clay
Readers' snow photos go to Readers' snow photos
Bound for glory go to Bound for glory
Cover Art go to Cover Art
Way of Life: Oh Lucky Man go to Way of Life: Oh Lucky Man
A Merry Dance go to A Merry Dance
My Favourite Room - James Griffin go to My Favourite Room - James Griffin
My Favourite Room - Peter Wells go to My Favourite Room - Peter Wells
In the nature of things - Inspirational painter go to In the nature of things - Inspirational painter
Sir Edmund Hillary's study go to Sir Edmund Hillary's study
Lynn Taylor's Watermarks go to Lynn Taylor's Watermarks
Pots of Gold go to Pots of Gold
The Midas Touch - Paeroa go to The Midas Touch - Paeroa
Capital Pleasures go to Capital Pleasures
Spinning the wheel go to Spinning the wheel
more stories 
  


Picture this

 
It’s no surprise that Pauline Morse became an artist and illustrator of all things natural. She’s the woman responsible for the images on some of the country’s best-known stamps, including the 40 cent kiwi and the 45 cent rock wren stamps of the late 1990s.

Everything in her background conspired to lead her in the direction of a career combining art and the outdoors. She loved drawing as a child and gardening was always a family thing. After completing a degree in botany and zoology at Wellington’s Victoria University, Pauline took a job with the Wildlife Service.

“I was trawling round the country, out in the field and getting to places I’d never otherwise have got to.”

Then, on a Pacific island holiday in the late 1970s, Pauline fell into conversation with the director of the Fiji Museum and a new door opened. “He was writing a book on the birds of Fiji and couldn’t find anyone to illustrate it. My mouth fell open and I said I’d do it.”

Despite having no experience of drawing birds, apart from “a few sketches here and there”, Pauline held tight to a strong belief: do what you love.

“A colleague told me my first birds were rubbish,” she recalls – a comment that spurred her on to seek excellence. She taught herself to draw anatomically correct birds by close observation of specimens in the museum. Three years later a field guide to Fijian birds, full of her meticulous watercolours, was published and Pauline’s illustrating career took flight.
 




Story: Diana Dekker
Photographs: Paul McCredie







 width=


(c) 2006 Fairfax New Zealand Limited. All rights reserved.    Terms and Conditions  -  Advertising  -  Contact Us  -  Help